Married in Berdichev

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Performing under the name Married in Berdichev for nearly four years, Gould has an unpretentious, gentle manner that gives little indication of the intensity of her art, much less her perhaps-unasked-for status as one of the central figures of underground music in Denver.

Married in Berdichev is the music of closing the door of a penumbrous alcobe most carefully, sitting in the unmade bed, tracing the lines in the unkempt sheets while staring at the intersection of two ochre walls where the shadows become the onset of Goya’s blurriest nightmare, a congerie of shapes melding into each other acquiring solidity and volume, the cold dead and bloated body of a sultan of the revenants mouth agape and blind eyes deep set in the caves of its cranium steps outside of the portal you just created and spills upon the room to tell you the secrets from beyond and take you away because it’s against the rules to walk with the breathing when you know all of that. You squash it like an annoying bug and watch it retreat into the shadows with a wry smile, your magick is stronger


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